![]() Comps created using "The Golden Rectangle" are less interesting than those made with 3rds. Likewise, Fibonacci is found all over in nature. One cannot remain in a static state of inaction on a physical, emotional, or mental level. It activates the mind and forces movement. "A 440hz" clashes with our minds with just enough discord that it excites, and aggravates it without being overly irritating. "A 432hz" is the frequency that nature vibrates at, so some think this tuning is more organic or (correct), however this tuning is SO in sync with our physiology and our minds that it has an overwhelming tendency to sooth and in some cases create a trance like state in the mind. If you want the beautiful anamorphic flares and oval bokeh, you can use anamorphic lenses, but better decision is to edit the final movie in the 16:9 aspect ratio.Įssentially what we're talking about is the Golden Circle/Rectangle (fibonacci) vs The Rule of 3rds. So, for TV and Cinema 16:9 is the way to go. If the Cinemascope and Panavision systems was created to attract people with a bigger screen, so it does not make sense to make films in 2,35 aspect ratio today because the television sets will show a smaller image instead of fill all the screen.Īlso cinema theaters today have screens prepared to show the 16:9 aspect ratio and when you see a 2,35:1 film in the cinema theaters today, there are black screen in top and bottom. So the old tv 4:3 aspect ratio could be shown with pilar box and the cinema 2,35 ratio could be shown with letter box, similar black size for both in the new digital tv screen. When digital television was created somebody developed the 16:9 aspect ratio because it was the middle term between the old 4:3 TV aspect ratio and the 2,35:1 cinema aspect ratio. ![]() When television started to make people to stay home instead of going to cinema theaters, the cinema industry developed a bigger screen called Cinemascope, after succeeded by Panavision, with aspect ratio 2,35:1
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